If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you’d be doomed. You’d be ruined as God. You’d be a stone. You’d never eat or drink or laugh or get out of bed in the morning. You’d never love anyone, ever again. You’d never dare to.

Margaret Atwood (via decayingorganicmatter)

cut your losses, shoot the poets: extemporally replied to your post: i am doing some hardcore pining for... ›

spellcoats:

BEST IDEA YES PLEASE COME ON.

BASICALLY???? COME ON LAURA, I KNOW YOUR FAMILY IS SUPER ADORABLE BUT I AM DYING OVER HERE. (have you listened to the thermals much? i got onto sulking about the lack…

nooo, i haven’t! talk to me abt them some more, they sound like a band i should get into :DDD

capriamovies:

labyrinthnook:

A beautiful gif-set showing David Bowie and Jennifer Connelly rehearsing for the ballroom scene.

how did jennifer connelly survive this

(via spiralstreesandcupsoftea)

i’ve been rereading the blind assassin, which i first read at age 11, and realising how unintentionally formative it was. also it is fucking ace. atwood doesn’t go in for kind, does she? though not unkind, exactly. 

you fit into me
like a hook into an eye

a fish hook
an open eye

Margaret Atwood (via thecoastofyourheart)

dynamicafrica:

Select artworks from Nigerian artist Njideka Akunyili:

“Nigeria is almost a third character in my work,” she said. “A lot of my work is about investigating my love for Nigeria and my life in America.

“I met my husband at college and there was some anxiety that if I married outside my culture I would lose my identity, but there is a space in my work where these things come together.”

Akunyili is hoping to help change attitudes to art in Nigeria, where she said appreciation is growing slowly.

“If I hadn’t left Nigeria, I wouldn’t be an artist, I would be a doctor,” she said. “When I told my parents I wanted to be an artist, they couldn’t get their heads around why an educated person who went to college in America would want to be an artist.

“If people think of artists, it’s somebody by the side of the road painting signs.”

[…]

“When I was young, the less Nigerian you were the cooler you were, but now we have gone back to tradition,” said Akunyili. “There’s a nice energy about the country that’s finally coming into its own.”

x

(via snarkreactors)

(Image redacted, reblogging for commentary) ›

dimensionsintime:

annespage:

the only reason america dropped the atomic bomb was because we were at WAR idiots, if we hadn’t dropped the bomb the war would’ve lasted at lot longer. 9/11 was an act of terrorism, why don’t you go watch a video of the twin towers as they burn after the planes crash into them and later collapse in on themselves burying not only the people that worked there inside, but also the police officers and firefighters who were trying to rescue any survivors, and before they collapsed, when people were forced to choose to burn or jump out to their deaths. so yeah, the atomic bomb killed more people, but one was during WWII and the other was a direct attack of terrorism on America. And the only reason we were at war with Japan was because they attacked us at pearl harbor, if they hadn’t done that the war would’ve stayed in Europe and the atomic bomb wouldn’t have been dropped.

Not even remotely true, but thanks for playing. This misconception largely occurs because of the famous Stimson article that was featured in Harpers’ magazine.

Of course, he didn’t actually WRITE the thing and, though it presents itself as a fireside chat between two people it was actually a heavily engineered document, and almost every fact cited was knowingly wrong by the government at the time (declassified documents - read ‘em). But hey! What better source for info!

That’s neither here nor there though since Japan tried to surrender before we dropped the bomb.

Several Times.

Yes, Japan tried to surrender. Once through Russia, once through Switzerland, once through the Vatican of all places, and many times appealing directly to Truman. We turned them down because of the stipulation that we were not allowed to touch their emperor, a concession the US was not willing to make at the time.

“Foreign Minister Shigemitsu has instructed Ambassador Sato [in Moscow] to find out whether Russia is willing to assist in bringing about a negotiated peace. Shigemitsu’s instructions, although cautiously worded, clearly imply that he has in mind a move by Russia to initiate peace discussions between Japan and the Anglo-Americans… [I]t seems hardly likely that he would have taken such a step without having consulted at least some of the more important members of the new Japanese cabinet… This is the first time that the Japanese have been willing to suggest to Russia directly that they are ready for peace.”

-“Japanese Consider Peace Possibilities” War Department MAGIC reports of intercepted messages: EYES ONLY for President and closest advisers

“I learn from a very reliable source that in important civilian circles in Japan the peace problem is being discussed with increasing anxiety. A speedy German collapse is expected and it is not believed that Japan can then continue the war. It is therefore considered necessary to get peace as soon as possible before the country and towns are destroyed… If any willingness appeared to exist in London the Japanese would be ready for preliminary discussions through Swedish channels. Behind the man who gave me this message stands one of the best known statesment in Japan and there is no doubt that this attempt must be considered as a serious one.”

-Telegram from Swedish minister in Tokyo given from the British Ambassador to the United States

“…It seems probably that very far-reaching conditions would be accepted by the Japanese by way of negotiation… Exchange of the Japanese constitution must also be considered as excluded. The Emperor must not be touched. However, the Imperial power could be somewhat democratized as is that of the English King”

-Report from Swedish minister in Tokyo sent to US State Department

AND EVEN LATER THEY GAVE THOSE CONDITIONS UP

“…Stated that he had been asked by Masutaro Inoue, Counsellor for the Japanese Legation in Portugal, to contact United States representatives. Source quoted Inoue as saying that the Japanese are ready to cease hostilities, provided they are allowed to retain possession of their home islands… On 19 May [1945], the OSS representative reported Inoue again had repeated to source his desire to talk with an American representative. On this occasion Inoue declared that actual peace terms were unimportant so long as the term ‘unconditional surrender’ was not employed.”

-OSS Representative report directly to Truman

Of course, we did anyway. But that’s not important.

Because the bomb wasn’t about Japan.

In Derry and Ramsey’s Memo to Groves (May 12, 1945) when picking a target for the atomic bomb, one of the primary listed reasons for picking a target was:

“making the initial use sufficiently spectacular for the importance of the weapon to be internationally recognized when publicity on it is released.”

In fact, they ranked targets - AA to B. Know what got the lowest ratings? Military targets. The ones that got the highest ratings were civilian ones.

Japan was currently researching wooden planes. WOODEN PLANES. They had attempted to give up, we said no. They had already lost the war when we dropped the bomb. They knew this - hell, they tried to surrender twice.

So why did we drop the bomb, then?

A close reading of the memo tells all. It was to make an impact on the international community.

Do you know how Truman was first informed about the Manhatten Project and the bomb? It was in a discussion with the Secretary of State in regards to negotiations with Russia after the war.

Truman kept delaying the “Big Three” discussions, the most important political talks in recorded history, until basically the day AFTER the Trinity Tests - he wanted to wait until he knew he had the bomb as a political piece. Stalin and Churchill were VERY angry at him pushing the date back with little to no reason given (they knew, of course, because of spies and intelligence).

Still don’t believe me?

The Secretary of War, and MOST of the army was against dropping the bomb. They wanted to give the option of doing a demonstration and giving Japan an option of total surrender (that we get to do whatever we want with the Emperor) or of giving Japan time to evacuate the civilian population before bombing a city.

Oh, and there’s this from Stimson’s Memo of Talk with Truman (June 6, 1945)

“I told [the President] that I was anxious about this feature of the war for two reasons: first, because I did not want to have the United States get the reputation of outdoing Hitler in atrocities; and second, I was a little fearful that before we could get ready the Air Force might have Japan so thoroughly bombed out that the new weapon would not have a fair background to show its strength. He laughed and said he understood.”

He laughed.

An estimated 500,000 people died between Nagasaki and Hiroshima if you count deaths by radiation poisoning and long-term cancer.

And Truman could only laugh because he was worried the bomb might not be noticeable amongst the wreckage of Japan.

The reason for dropping the bomb was to give America a better condition amongst the international population, particularly Stalin and Russia, in the coming years. It was to make Russia afraid to invade Japan (and from there, the fear was, the rest of Asia) when they knew America had interests in it. They dropped the bomb to give them an advantage when negotiating in the future and to give them a start when everyone began arming (a situation tons of scientists warned everyone about in The Franck Report).

But don’t pretend it was about Japan. And don’t you dare pretend it was about peace.

500,000 people died and all Truman could do was laugh.

(via blindmouse)

listening to kate nash before it’s 6 AM even aha

When I was little, I loved the movie Labyrinth. This was because my grandparents told me it was made specifically for me. It was about a girl who picked on her little brother. I also picked on my little brother. Clearly, this was an instructional film about how, if I were not nice to my little brother, he would be taken away by goblins. I tried to get my little brother taken away by goblins like 14 times after I watched it. Sometimes my grandparents’ plans backfired.

But Labyrinth is a very instructional film—it just happens to be about dating. The girl, Sarah, clearly has a crush on the David Bowie character because who doesn’t? And Bowie clearly has a crush on Sarah. Because of this, Sarah gets dropped into this complex and dangerous maze. There are rules, riddles, bogs, monsters, and awfulness, and David Bowie just stands there and says: “I ask for so little. Just fear me, love me, do as I say, and I will be your slave.” That’s the actual line! That’s the line every toxic partner will always feed you. And that’s why this is so instructional.

Because it turns out that fearing him, loving him, or doing as he says is not necessary for Sarah. She didn’t even have to walk through the maze. What she has to do, in the end, is look him in the eye and say one thing. There’s a whole big build-up around it involving how much he’s put her through and how awesome she is—“through dangers untold and hardships unnumbered, I have fought my way here,” blah blah, “my will is as strong as yours and my kingdom is as great”—but that’s not it. That’s a waste of time until she says the one thing that counts: “You have no power over me.” She has to say those words and know how true they are. And then the whole maze falls apart. And she’s home.

You are going to get home. You already are: you are in control of your own life. All you have to do is remember that.

Bad Romance, by Sady Doyle | Rookie Magazine

Li linked me to this, saying she hoped it had been an influence on Labyrinth from the new Kate Nash album, and it totally was, I think this is a pretty fantastic thing.

(via spellcoats)

Why is the term “friend zone” so popular when the term “unrequited love” already exists and is more accurate? I suspect it’s because it shifts the locus of responsibility. “Unrequited love” focuses on the person who has the crush. The feelings being discussed are the crushing person’s, thus the responsibility in on them to get over their crush and move on. “Friend zone”, on the other hand, focuses on the crush object’s choices. The phrase erases the agency of the crushing person. All blame for their pain is put on the crush object. “Unrequited love” is something that can happen to both sexes, but “friend zone” is a sexist concept that implies that women are solely responsible for men’s happiness, and not men themselves.